February 11, 2019January 30, 2019 assayjournal

Teaching the Pen Breakers: On JoAnn Beard’s “Fourth State of Matter”–Siân Griffiths

December 17, 2018December 17, 2018 assayjournal

Lisa Groen Braner’s “Soundtrack”–Sari Fordham

December 3, 2018December 3, 2018 assayjournal

Collision with Reality: Narrative Persona in Poe Ballantine’s “Free Rent at the Totalitarian Hotel”–Elin Peterson

November 26, 2018November 26, 2018 assayjournal

The Dangers of Classification in Beth Peterson’s “Special Ed”–Joanna Eleftheriou

November 5, 2018November 4, 2018 assayjournal

The Cycles Do Not Turn: On Teaching E.B. White’s “Once More to the Lake”–Kay Cosgrove

April 16, 2018April 29, 2018 assayjournal

Angela Morales’s “Girls in My Town”–Jennifer Dean

January 7, 2018October 22, 2020 Renée E. D'Aoust

Dinty W. Moore’s “Son of Mr. Green Jeans: A Meditation on Fathers”–Charles Green

November 19, 2017November 20, 2017 Renée E. D'Aoust

Steven Harvey & Sonja Livingston–On “Brief Encounters” and “Sputnik 2”

October 29, 2017October 22, 2020 Renée E. D'Aoust

“The Middle Passage” by V.S. Naipaul–Colin Hosten

October 9, 2017October 22, 2020 Renée E. D'Aoust

“On Common Books, Civic Engagement, and Claudia Rankine’s ‘Citizen'”–Creighton Nicholas Brown