December 6, 2021December 6, 2021 assayjournal

Writers to Read: Revisiting Annie Dillard’s Holy the Firm — Heidi Czerwiec

November 29, 2021November 29, 2021 assayjournal

Does Genre Bend Me? Jenny Boully’s “On the EEO Genre Sheet”– Ashley Espinoza

November 22, 2021November 22, 2021 assayjournal

“Why Do I Believe Him?” Humor and Believability in David Rakoff’s Fraud–Barbara Godshalk

April 22, 2021April 22, 2021 assayjournal

American Solitude: Self-Mythologizing in Edward Abbey’s Desert Solitaire — Marya Hornbacher

February 18, 2019 assayjournal

Who Touches This: Thoreau and the (Auto)Biographical Imperative –Stan Tag

January 28, 2019January 28, 2019 assayjournal

“Heavy: An Anorexic Perspective The Voice Inside of Kiese Laymon’s Head”– Rochelle Newman-Carrasco

October 29, 2018October 29, 2018 assayjournal

Bridging the Gap: Articulating the Motivating Question in the Personal Narrative–Sarah Curtis

October 22, 2018October 22, 2018 assayjournal

Kao Kalia Yang’s The Latehomecomer–Whitney Jacobson

October 8, 2018October 10, 2018 assayjournal

Finding the Self: Amy Liptrot’s The Outrun–Aurora Bonner

October 1, 2018September 5, 2018 assayjournal

The Book Americans Need to Read Right Now: on Valeria Luiselli’s Tell Me How It Ends: An Essay in Forty Questions–Megan Brown